Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 16, 2016 | Untitled Film Still #52 | 8 | Christie's | New York | |||
| Oct 7, 2016 | Untitled Film Still #52 | 3 | Christie's | London | |||
| May 10, 2012 | Untitled Film Still #52 | 6 | Sotheby's | New York | |||
| May 15, 2002 | Untitled no 52 | Christie's | New York | ||||
photographs
20.3 x 25.4 cm (8 x 10 in)
gelatin silver print
signed, titled, numbered and dated 'Cindy Sherman 8/10 1979 52' (on the reverse)
Metro Pictures, New York
Acquired from the above by the present owner, 2007
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman - Film Stills, March-June 1995, no. 52 (another example exhibited and illustrated).
Shiga, Museum of Modern Art; MIMOCA Marugame Genichiro-Inokuma Museum of Contemporary Art and Tokyo, Museum of Contemporary Art, Cindy Sherman, July-December 1996, p. 80, pl. 28 (another example exhibited and illustrated).
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June-September 1997 (another example exhibited).
Los Angeles, The Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; CAPC, Musée d'art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective, November 1997-January 2000, p. 87, pl. 56 (another example exhibited and illustrated).
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art, and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, pp. 34, 59, 244 and 287 (another example exhibited and illustrated).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center and Dallas Museum of Art, Cindy Sherman, February 2012-June 2013, p. 115, pl. 65 (another example exhibited and illustrated).
Warsaw, Zacheta National Gallery of Art, Cannibalism? On Appropriation Art, March-May 2015 (another example exhibited).
Kunsthalle Bremen and Prague, Czech Philharmonic, Galerie Rudolfinum, Last Year in Marienbad. A Film as Art, November 2015-November 2016, pp. 214 and 281, cat. 80 (another example exhibited and illustrated as Untitled Film Still #22).
Los Angeles, Broad Museum, Cindy Sherman: Imitation of Life, June-October 2016, pp. 40-41 and 153, no. 31 (another example exhibited and illustrated).
P. Schjeldahl and I.M. Danoff, Cindy Sherman, New York, 1984, no. 32 (another example illustrated).
Cindy Sherman, exh. cat., New York, Whitney Museum of Art, 1987, pl. 32 (another example illustrated).
R. Krauss and N. Bryson, Cindy Sherman: 1975-1993, New York, 1993, pp. 18 and 226 (another example illustrated).
D. Frankel, ed., Cindy Sherman: The Complete Untitled Film Stills, New York, 2003, pp. 68-69 and 159 (another example illustrated).
P. Marzio, ed., American Art & Philanthropy: Twenty Years of Collecting at the Museum of Fine Arts, Houston, New Haven, 2010, p. 277 (another example illustrated).
This work is number eight from an edition of ten.